Task 4d - Literature

I have found while researching my inquiry a piece of literature which struck my attention made me interested to look into it more. It is titled "Psychology of Dealing with the Injured Dancer" and can be found if you Click Here. 

It begins with stating a few statistics which is what first interested me into the topic. Some of which are;

• 97% of dancers suffer from injuries
• fewer than 50% of dancers injuries are treated by a physician
• 43% of dancers continued training against their physicians advice

These statistics alone show some of the characteristics which are present amongst dancers which prevent them from seeing a physician. I think it opens up some more questions as to what stops dancers from seeking and applying the help required to prevent and improve injuries and what is the psychological and physical impact of this.

Is having a injury normal in the dance world? 

Honestly, I think it is. Dancers are very determined people and often have little 'niggles' during the long hours and tough training that is required in their profession. Being a dancer myself I am guilty of just brushing off a little ache or pain for nothing and just pushing through it and thinking that as dancers we have to put up with with pain as part of our career. In many cases these pains do just fade away to nothing but in some situations they have the risk of leading to long term or even career-threatening injuries. 

So why as dancers do we allow that risk?

There are many pressures for dancers not to be injured and unless you really can't move sometimes it doesn't feel worth it to take time off for an injury. Being injured or taking time off can mean, falling back on training, missing out on a performance experience and in certain professional situations it can mean not being able to work or losing a job. Knowing myself and most other dancers, we will push through the pain in order not to lose these opportunities. From my experience the social culture of the dance world means we always question what doctors say. Being very in touch with our bodies means we can feel and understand what is going on and I often notice that people who do see someone for an injury questions their physicians judgement as there is maybe a lack of communication or understanding which put dancers off going to the doctor. Also as we push our bodies to the extremes some of the recovery exercises seem trivial in comparison to our regular training which causes a dancer to ignore the advice given.

What are the physical barriers preventing dancers seeking help?

Firstly most dancers may struggle financially and if there current work/training place does not supply medical help it means going out to pursue help for yourself which may be costly. Also dancers require special help and finding doctors with experience and an understanding in dancers and the way they use their bodies can be difficult which can be hard. These specialist doctors are hard to find and are often not found on the nhs therefore they have to be sought out and are often more expensive treatments. As most of dancers injuries are from overuse they are rarely treated as an emergency therefore they can often be on long waiting lists to get treatment which is disagreeable with a dancers schedule.

I think this article really made me think about how myself and people around me thought about injuries and it has really made me think about what I would do if coming across and injury in the future. I think as a group we are a bit stuck in our ways with the way we think about injuries but if we are made more aware of them maybe we could prevent them from becoming more threatening.

I hope this helps people

Pressures

I found this online and I found it quite interesting. It focuses on the pressures that fall upon a young dancer from a few different angles including parents, money, teachers and self pressures. Its a good read and links to a few good articles if you are interested in this for your inquiry.

http://www.shsoutherner.net/a-e/2011/12/01/teenage-dancers-endure-pressure-from-all-angles/

Rohanne x

4b - Special Interest Groups

How are people creating their SIG's? I have been looking through a few peoples blogs and I think a lot of your inquiries will cross in one way or another so it will be good to have some way of chatting! I know that Laura has invited me to a page on fb that we could all use to connect our SIG groups although currently I think so far Laura and I are the only people who like it. Click Here for a link to that page if you are interested. Also if you would like to connect with me on facebook the link to my profile is https://www.facebook.com/rohanne.compsonbradford or search for Rohanne Compson-Bradford and you'll find me.

Thanks x

Task 4a - Questions

So after having a little break from blogging lets get back into the swing of things and dive right into module two. 

It has taken me a lot of time to think about my inquiry and I am not 100% sure of the direction I am going to take it in but hopefully over this module it will become clearer. Reader 4 states that module 2 is designed to "explore a topic that will benefit your work and the work of colleagues and fellow professionals." When thinking about my topic I want to explore new aspects which I am not as familiar with that will hopefully cause me to grow as a professional and benefit me in the future as well as others around me.

I have noticed a lot of people on this course look into teaching as part of their inquiry and although I do teach and am very interested in this subject I have decided to steer my inquiry away from this and try and broaden my knowledge on other aspects of the dance world and look more into the psychology of dancers in different situations and stages in their career.

So to start that learning process I have come up with a few questions on a few different angles of my inquiry.

• What are the main pressures for a dancer?
• What are the psychological and physical effects of long term injury on a dancer?
• How do dancers cope after finishing college and are put into the professional dance world without the securities of training?
• How does being jobless/between jobs effect a dancer?
• What methods can you use in order for a dancer to cope with the strains of the industry?

I understand my questions are not fully refined and but I need peoples help and comments to allow me to expand on these and create new questions and aspects to explore.

Thank you